apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Grand Canyon
Grand Canyon by Maxfield Parrish

plate no. 5456

Grand Canyon

Maxfield Parrish, 1902

oilSymbolismlandscapemountainscanyonriverlandscaperockssky
some experience helpful

This painting is great for learning about color temperature and how to use it to create depth. It also provides practice in simplifying complex landscapes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes of the mountains, canyon walls, and river, focusing on the overall composition.

  2. step 02

    Block in the large areas of color, starting with the sky and the river.

  3. step 03

    Establish the main light and shadow areas on the mountains and canyon walls.

  4. step 04

    Refine the shapes and details of the mountains, adding texture and variations in color.

  5. step 05

    Add details to the river and foreground rocks.

  6. step 06

    Glaze thin layers of color to adjust the values and create depth.

  7. step 07

    Add final highlights and details to enhance the sense of light and atmosphere.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre

secondary · titanium white · cadmium red

Mix burnt sienna and ultramarine blue for the shadows in the canyon and mountains. Use yellow ochre and white for the highlights on the rocks and mountains. Add cadmium red to burnt sienna for warmer tones.

techniques

  • ·color layering
  • ·glazing
  • ·blocking in
  • ·atmospheric perspective
  • ·hard edges

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the effect of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull