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home·artworks·Glad Day or The Dance of Albion
Glad Day or The Dance of Albion by William Blake

plate no. 0748

Glad Day or The Dance of Albion

William Blake, 1794

watercolor, engravingSymbolismsymbolic paintingfigurenudelightdarknesssymboliclandscape
some experience helpful

This painting is a good exercise in figure drawing, light and shadow, and creating a sense of depth. Students will learn about color mixing to achieve skin tones and how to blend colors to create a soft, ethereal effect.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure pose and the surrounding light shape.

  2. step 02

    Establish the dark background areas with a thin wash of dark color.

  3. step 03

    Block in the main areas of light and shadow on the figure using a limited palette of skin tones.

  4. step 04

    Begin layering colors to build up the form and create subtle transitions.

  5. step 05

    Define the edges of the figure and the light shape with darker values.

  6. step 06

    Add details to the face and hands.

  7. step 07

    Refine the background and add any final touches.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt sienna · ivory black · titanium white

secondary · alizarin crimson · ultramarine blue

Mix skin tones by blending yellow ochre, burnt sienna, and white. Use alizarin crimson for blush tones. Achieve darks by mixing ivory black and ultramarine blue.

techniques

  • ·figure drawing
  • ·glazing
  • ·color blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the colors and losing the luminosity.
  • →Incorrect proportions of the figure.
  • →Failing to create a strong sense of depth.
  • →Uneven blending of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retarder medium

Use a medium-grain canvas for best results. Acrylics can be substituted for oils.

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watercolor techniques →how to learn by studying the masters →
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