
plate no. 0748
William Blake, 1794
This painting is a good exercise in figure drawing, light and shadow, and creating a sense of depth. Students will learn about color mixing to achieve skin tones and how to blend colors to create a soft, ethereal effect.
technical profile
approach — 8 steps
Sketch the basic figure pose and the surrounding light shape.
Establish the dark background areas with a thin wash of dark color.
Block in the main areas of light and shadow on the figure using a limited palette of skin tones.
Begin layering colors to build up the form and create subtle transitions.
Define the edges of the figure and the light shape with darker values.
Add details to the face and hands.
Refine the background and add any final touches.
Glaze with thin washes to unify the colors and create a sense of atmosphere.
color palette
primary · yellow ochre · burnt sienna · ivory black · titanium white
secondary · alizarin crimson · ultramarine blue
Mix skin tones by blending yellow ochre, burnt sienna, and white. Use alizarin crimson for blush tones. Achieve darks by mixing ivory black and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylics can be substituted for oils.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress