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Gitanas by José Santiago Garnelo y Alda

plate no. 2042

Gitanas

José Santiago Garnelo y Alda, 1930

oilNaturalismportraitfiguresportraitsguitarclothingindoorwomen
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in capturing the folds and textures of fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the guitar.

  2. step 02

    Establish the main light source and block in the large shapes of color and value.

  3. step 03

    Begin refining the skin tones, mixing a range of warm and cool colors.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and highlights.

  5. step 05

    Add details to the faces, focusing on the eyes, nose, and mouth.

  6. step 06

    Paint the guitar, capturing its shape and texture.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Varnish the painting when dry to protect the surface.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · raw sienna · alizarin crimson

Mix skin tones using yellow ochre, burnt umber, cadmium red, and titanium white. Use ultramarine blue to cool down the skin tones in shadows. Achieve the yellow fabric by mixing yellow ochre with a touch of white and cadmium red.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Getting the proportions of the figures incorrect.
  • →Ignoring the subtle color variations in the clothing.
  • →Failing to capture the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue, raw sienna, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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