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home·artworks·Girl writing by lamplight
Girl writing by lamplight by William Henry Hunt

plate no. 6085

Girl writing by lamplight

William Henry Hunt, 1850

oil, canvasNaturalismgenre paintingfigurebookslamptableinteriorcandle
some experience helpful

Recreating this painting will help students practice painting light and shadow, as well as creating a sense of depth and atmosphere. It also provides an opportunity to work with a limited color palette and explore different brushwork techniques.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, books, and lamp.

  2. step 02

    Establish the dark background using a mix of dark browns and greens.

  3. step 03

    Block in the main shapes of the figure and the table with mid-tone colors.

  4. step 04

    Add the highlights on the lamp, face, and books, using lighter shades of the base colors.

  5. step 05

    Develop the shadows and details on the figure and objects, paying attention to the direction of light.

  6. step 06

    Refine the brushwork to create texture and visual interest.

  7. step 07

    Add final details, such as the writing implements and the details on the lamp.

  8. step 08

    Glaze to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw umber · titanium white · alizarin crimson

secondary · yellow ochre · sap green

Mix burnt umber and raw umber for the dark background. Use alizarin crimson and white for the figure's clothing. Mix yellow ochre and white for the lamp's glow.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·limited palette

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details too early in the process.
  • →Using too many colors, resulting in a muddy appearance.
  • →Not paying attention to the direction of light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a smooth texture to facilitate blending. Consider using a toned canvas to help establish the dark background.

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