
plate no. 4087
Gerard Sekoto, 1942
Recreating this painting will help students develop skills in portrait painting, including capturing likeness and rendering skin tones with subtle color variations. Students will also practice creating a sense of depth through value and color.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, orange, and background.
Block in the main areas of color: skin, hair, dress, sky, and orange.
Establish the light source and begin to define the shadows and highlights on the figure's face and hands.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add details to the hair, creating texture and volume.
Develop the background, suggesting the landscape with simple shapes and colors.
Blend the colors together to create smooth transitions and soft edges.
Add final highlights and details to the orange and the figure's clothing.
color palette
primary · ultramarine blue · yellow ochre · burnt umber · titanium white
secondary · cadmium orange · alizarin crimson · sap green
Mix skin tones using yellow ochre, burnt umber, and white, with touches of alizarin crimson for warmth. Create shadows by adding ultramarine blue and burnt umber to the skin tone mixture.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, but oils allow for more blending time.
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