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home·artworks·Girl by the Window
Girl by the Window by Harriet Backer

plate no. 8313

Girl by the Window

Harriet Backer, 1891

oil, canvasNaturalismgenre paintinginteriorfigurewindowtablechairplants
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow within an interior space, as well as capturing the subtle nuances of color and texture using visible brushstrokes. It also provides practice in painting figures in a naturalistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, window, and other key elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Block in the main shapes and values, paying attention to the light and shadow patterns.

  4. step 04

    Develop the details of the figure, including the clothing and hair, using a variety of brushstrokes.

  5. step 05

    Refine the details of the interior, such as the furniture, plants, and window, adding texture and depth.

  6. step 06

    Adjust the values and colors to create a sense of atmosphere and mood.

  7. step 07

    Add final highlights and shadows to enhance the realism of the painting.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · sap green

Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and cadmium red to create warm highlights and accents. Mix sap green with yellow ochre and ultramarine blue for the plants.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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