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home·artworks·George Washington Before the Battle of Trenton
George Washington Before the Battle of Trenton by John Trumbull

plate no. 1123

George Washington Before the Battle of Trenton

John Trumbull, 1792

oilNeoclassicismhistory paintingfigurehorsemilitarylandscapeskybattle
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and creating atmospheric perspective. It will also improve their understanding of color mixing for skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, horse, and background elements.

  2. step 02

    Block in the main color masses for the sky, landscape, and figures using thin washes.

  3. step 03

    Develop the values and forms of the figure and horse, paying attention to anatomical accuracy and light direction.

  4. step 04

    Refine the details of the clothing, facial features, and weaponry.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Paint the background details, including the battle scene and landscape elements, using soft, blended brushstrokes.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Cadmium red · Ivory black

Mix various shades of blue and white for the sky. Use yellow ochre, burnt umber, and white for the horse and figure's clothing. Add small amounts of red and black to create shadows and highlights.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Chiaroscuro
  • ·Blending
  • ·Figure drawing

common pitfalls

  • →Inaccurate proportions of the figure and horse.
  • →Overly harsh or muddy color mixtures.
  • →Lack of atmospheric perspective in the background.
  • →Insufficient attention to detail in the facial features.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian blue, Yellow ochre, Titanium white, Burnt umber, Cadmium red, Ivory black)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a medium to speed up drying time.

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