apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·General Baston De Lariboisière and His Son Ferdinand
General Baston De Lariboisière and His Son Ferdinand by Antoine-Jean Gros

plate no. 9490

General Baston De Lariboisière and His Son Ferdinand

Antoine-Jean Gros, 1815

oilNeoclassicismportraitfiguresmilitaryportraitlandscapearmorflag
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features, as well as practice in depicting metallic textures and complex drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and composition.

  2. step 02

    Establish the background landscape with broad washes of color.

  3. step 03

    Block in the main shapes of the figures, focusing on accurate proportions and placement.

  4. step 04

    Develop the values and colors of the clothing and armor, paying attention to light and shadow.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression of each figure.

  6. step 06

    Add details such as medals, buttons, and other embellishments.

  7. step 07

    Work on the background details, including the flag, horses, and other figures.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining the primary colors. Use white to lighten colors and create highlights. Achieve metallic effects by layering thin glazes of color.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Inconsistent lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs