plate no. 7679

Garden of Allah

Maxfield Parrish, 1918

oilNeoclassicismsymbolic paintingfiguresgardenvasestreesreflectionarchitecture

study guide

est. 20 hrs

approach — 8 steps

step 01
Sketch the basic composition, focusing on the placement of the figures, vases, and the horizon line.
step 02
Block in the main shapes and values using a limited palette of earth tones.
step 03
Establish the light source and begin to define the shadows on the figures and vases.
step 04
Start building up the background foliage with layers of color, creating depth and texture.
step 05
Refine the details of the figures, paying attention to the folds of the drapery and the facial features.
step 06
Add the reflections in the water, ensuring they align with the objects above.
step 07
Adjust the overall color balance and contrast to create a harmonious and luminous effect.
step 08
Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · burnt sienna · raw umber

secondary · ultramarine blue · ivory black · titanium white

Achieve the warm, golden tones by mixing yellow ochre and burnt sienna. Use ultramarine blue and ivory black sparingly to create cool shadows and muted greens for the foliage. Titanium white is used to create highlights and lighten the overall color palette.

techniques

·glazing
·scumbling
·blending
·layering
·atmospheric perspective

common pitfalls

→Overworking the details too early in the process.
→Failing to establish a strong light source.
→Creating muddy colors by overmixing.
→Ignoring the importance of atmospheric perspective in the background.

materials

surface · stretched canvas

required

·Stretched canvas (18x24 inches)
·Oil paints (yellow ochre, burnt sienna, raw umber, ultramarine blue, ivory black, titanium white)
·Round brushes (sizes 2, 4, 6)
·Flat brushes (sizes 4, 8)
·Palette
·Linseed oil
·Odorless mineral spirits
·Palette knife