apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Funeral Symphony (III)
Funeral Symphony (III) by Mikalojus Konstantinas Ciurlionis

plate no. 0581

Funeral Symphony (III)

Mikalojus Konstantinas Ciurlionis, 1903

pastel, paperSymbolismsymbolic paintingtreeslandscapefiguresskysunsetfence
some experience helpful

Recreating this painting will help students develop skills in layering colors with pastels and creating atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky with a light yellow pastel, blending it smoothly.

  3. step 03

    Add the sunset colors (orange and red) to the horizon, blending them into the yellow.

  4. step 04

    Establish the green field with broad strokes, varying the shades of green.

  5. step 05

    Define the trees with dark blues and browns, adding highlights with lighter shades.

  6. step 06

    Add the blue figures and the fence in the background, keeping them simple and indistinct.

  7. step 07

    Refine the details of the trees, adding texture and depth with short, broken strokes.

  8. step 08

    Blend and soften the colors as needed to create a hazy, dreamlike effect.

color palette

primary · yellow · blue · green · brown

secondary · orange · red · purple

Mix greens by layering blue and yellow. Achieve the tree colors by layering browns and blues, and adding hints of red for warmth. The atmospheric perspective is created by using lighter, desaturated colors in the background.

techniques

  • ·pastel layering
  • ·blending
  • ·atmospheric perspective
  • ·broken color
  • ·color mixing

common pitfalls

  • →Overworking the pastels and losing the freshness of the strokes.
  • →Making the figures too detailed and distracting from the overall mood.
  • →Not blending the colors sufficiently, resulting in a harsh or unnatural look.
  • →Failing to create a convincing sense of depth and distance.

materials

surface · pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Blending stumps or tortillions
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Drawing board
  • ·Paper towels

optional

  • ·Workable fixative
  • ·Palette knife
  • ·Easel

Choose a pastel paper with a slightly rough texture to grip the pastel. A toned paper will help to unify the colors and create a more harmonious effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull