apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·from Metamorphosis insectorum Surinamensium, Plate XLVIII
from Metamorphosis insectorum Surinamensium, Plate XLVIII by Maria Sibylla Merian

plate no. 9285

from Metamorphosis insectorum Surinamensium, Plate XLVIII

Maria Sibylla Merian, 1705

oilNaturalismanimal paintinginsectsleavesfruitbotanicalcaterpillarflowers
some experience helpful

Recreating this painting will help students develop skills in botanical illustration, including rendering textures of leaves and insects, and understanding color mixing for natural tones. It also provides practice in creating a balanced composition with multiple elements.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the branch, leaves, fruits, and insects, paying attention to proportions and placement.

  2. step 02

    Apply a thin wash of light green to the leaves and fruits, establishing the base color.

  3. step 03

    Begin adding darker greens and browns to the leaves to create depth and form, using layering techniques.

  4. step 04

    Paint the insects, starting with the larger beetle and working down to the smaller bee, focusing on accurate details.

  5. step 05

    Use fine lines and hatching to create texture on the insects and fruits.

  6. step 06

    Add highlights with lighter greens and yellows to the leaves and fruits to enhance the three-dimensional effect.

  7. step 07

    Refine the details of the flowers and any other small elements.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and realistic image.

color palette

primary · sap green · yellow ochre · burnt umber

secondary · ivory black · titanium white · cadmium yellow

Mix greens by blending sap green with yellow ochre and burnt umber for variations. Use white to lighten colors and create highlights. Black and burnt umber can be mixed for the darker insects.

techniques

  • ·hatching
  • ·layering
  • ·dry brushing
  • ·color blending
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle variations in color and value.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 0, 2, 4)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·eraser

optional

  • ·magnifying glass
  • ·ruler
  • ·masking fluid

Use high-quality watercolor paper to prevent buckling and ensure smooth color application. A magnifying glass can be helpful for observing fine details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt