
plate no. 2250
Barbara Krafft, 1797
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as understanding how to depict complex fabrics and textures.
technical profile
approach — 8 steps
Create a preliminary sketch outlining the composition and proportions of the figures and objects.
Block in the main shapes and colors, focusing on overall values and temperature.
Begin refining the skin tones, using layering and blending techniques to achieve smooth transitions.
Develop the details of the clothing, paying attention to the folds and highlights.
Paint the background, creating depth and atmosphere.
Add details to the table and objects, such as the tea set.
Refine the facial features and expressions of the figures.
Add final highlights and shadows to enhance the overall realism.
color palette
primary · ivory black · titanium white · raw umber · emerald green
secondary · cadmium red light · yellow ochre · ultramarine blue
Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use glazes of ultramarine blue and burnt umber to create shadows and depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs