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home·artworks·Francis Derwent Wood
Francis Derwent Wood by George Washington Lambert

plate no. 4713

Francis Derwent Wood

George Washington Lambert, 1906

oilSymbolismportraitportraitfiguremanhanddark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and modeling form using a limited palette. It also emphasizes the importance of value contrast to create depth and drama.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hand, and torso, paying attention to proportions.

  2. step 02

    Establish the darkest areas of the background with a thin wash of dark brown.

  3. step 03

    Block in the mid-tones on the face and hand, focusing on the planes of the face.

  4. step 04

    Add highlights to the face and hand, using lighter shades of ochre and white.

  5. step 05

    Refine the details of the face, such as the eyes, nose, and mouth.

  6. step 06

    Develop the form of the hand, paying attention to the knuckles and fingers.

  7. step 07

    Add subtle variations in color to the background to create depth.

  8. step 08

    Glaze the painting with a thin layer of medium to unify the colors and add a subtle sheen.

color palette

primary · burnt umber · raw umber · yellow ochre · titanium white

secondary · ivory black · cadmium red light

Mix burnt umber and ivory black for the dark background. Use yellow ochre and white for the skin tones, adding small amounts of burnt umber and cadmium red light for warmth.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·glazing
  • ·limited palette
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color in the skin tones.
  • →Ignoring the subtle variations in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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