apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·For The Poor - Charity
For The Poor - Charity by Xavier Mellery

plate no. 6495

For The Poor - Charity

Xavier Mellery

oilSymbolismsymbolic paintingfigureschildbuildingarchitecturecharitypoverty
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding how to use value to define form and create a focal point.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the building, paying attention to proportions and placement.

  2. step 02

    Establish the background color with a thin wash of golden yellow.

  3. step 03

    Begin blocking in the dark values of the figures and the building using a dark brown or black.

  4. step 04

    Layer lighter tones over the dark areas to create form and dimension, focusing on the light source.

  5. step 05

    Add details to the figures, such as clothing folds and facial features.

  6. step 06

    Paint the child's blue coat, adding highlights and shadows to give it depth.

  7. step 07

    Refine the details of the building, adding texture and architectural elements.

  8. step 08

    Add final touches and highlights to the entire painting, adjusting values as needed.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · Prussian blue · raw sienna

Mix yellow ochre with a touch of burnt umber to create the golden background. Use burnt umber and ivory black to create the dark tones of the figures and building. Mix Prussian blue with a touch of white to create the child's coat.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·value study
  • ·hatching

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits or turpentine (for cleaning brushes)

optional

  • ·Medium gloss
  • ·Retarder medium

Use a canvas with a smooth surface to allow for detailed brushwork. Consider using a toned canvas to help establish the overall color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull