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Figures in silver light by Albert Bloch

plate no. 5031

Figures in silver light

Albert Bloch

oilSymbolismsymbolic paintingfigureslandscapetreesmoonpathrobes
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to depict figures in a stylized and symbolic manner. It also provides practice in creating a cohesive atmosphere through color harmony.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the landscape elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin layering colors to define the forms of the figures and the trees, paying attention to the light and shadow.

  4. step 04

    Use dry brush techniques to create texture in the foliage and the robes.

  5. step 05

    Add details to the faces and hands of the figures, using subtle variations in color and value.

  6. step 06

    Refine the composition by adjusting the colors and values to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · payne's gray · yellow ochre

Achieve the silvery light by mixing titanium white with small amounts of raw umber and payne's gray. Use burnt sienna and yellow ochre to create the warm tones in the figures and foliage.

techniques

  • ·dry brush
  • ·layering
  • ·glazing
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall atmosphere.
  • →Using too much color and creating a chaotic effect.
  • →Failing to establish a strong value structure.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish an initial color base.

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