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home·artworks·Ferdinand IV of Naples and his family
Ferdinand IV of Naples and his family by Angelica Kauffman

plate no. 5950

Ferdinand IV of Naples and his family

Angelica Kauffman, 1783

oil, canvasNeoclassicismportraitfamilyportraitlandscapefiguresdogstrees
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering fabrics with subtle highlights and shadows. It also provides practice in creating depth and atmosphere in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the background landscape with broad strokes, focusing on the general color values.

  3. step 03

    Roughly sketch the figures, paying attention to proportions and poses.

  4. step 04

    Start building up the colors and values of the figures, beginning with the darkest shadows and gradually adding highlights.

  5. step 05

    Work on the details of the faces, hair, and clothing, using smaller brushes and more precise strokes.

  6. step 06

    Add details to the background elements, such as the trees, urn, and dogs.

  7. step 07

    Refine the overall composition by adjusting colors, values, and details as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black · alizarin crimson

Achieve the flesh tones by mixing titanium white, cadmium red, and yellow ochre. Use raw umber and ivory black for shadows. Mix ultramarine blue and titanium white for the sky.

techniques

  • ·portraiture
  • ·figure drawing
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (titanium white, raw umber, cadmium red, yellow ochre, ultramarine blue, ivory black, alizarin crimson)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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