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home·artworks·Farm Interior, Rochefort En Terre, Brittany
Farm Interior, Rochefort En Terre, Brittany by Harriet Backer

plate no. 9056

Farm Interior, Rochefort En Terre, Brittany

Harriet Backer, 1882

oil, canvasNaturalisminteriorinteriorfurniturekitchenwindowcabinetstable
some experience helpful

Recreating this painting will help students develop skills in rendering atmospheric perspective and using a limited palette to create a sense of depth and mood. Students will also learn to simplify complex forms and focus on capturing the overall impression of the scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the large shapes of the furniture and walls using diluted washes of color.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Gradually build up the colors and details, focusing on the areas of light and shadow.

  5. step 05

    Use soft blending techniques to create a hazy, atmospheric effect.

  6. step 06

    Add details to the objects on the shelves and the decorations on the wall.

  7. step 07

    Refine the edges and details of the furniture to create a sense of realism.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Achieve the muted tones by mixing burnt umber and ivory black with varying amounts of white. Use yellow ochre and cadmium red light sparingly to add warmth to the furniture and objects.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much bright color and creating a jarring contrast.
  • →Failing to establish a strong value structure and creating a flat, lifeless painting.
  • →Ignoring the subtle shifts in color and value that create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

A toned canvas (burnt umber wash) can be helpful for establishing the dark values.

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