apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Faith ('La Foi')
Faith ('La Foi') by Ary Scheffer

plate no. 0078

Faith ('La Foi')

Ary Scheffer

oilNeoclassicismportraitportraitfigureclothingbookhairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and smooth blending techniques for skin tones. It also provides practice in rendering drapery and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hand placement.

  2. step 02

    Block in the background with a muted green-brown tone, establishing the overall value.

  3. step 03

    Establish the main values of the face, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, using small brushes and subtle color variations.

  6. step 06

    Paint the book and hands, paying attention to the details and highlights.

  7. step 07

    Refine the edges and blend the colors to create a smooth, realistic finish.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Use ultramarine blue and raw umber to create the muted green-brown background. Mix cadmium red light with raw umber and a touch of black to achieve the drapery color.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Using too much white, making the skin tones look chalky.
  • →Ignoring the subtle color variations in the skin and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas is recommended for this style of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs