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home·artworks·Fólk á göngu
Fólk á göngu by Louisa Matthiasdottir

plate no. 1401

Fólk á göngu

Louisa Matthiasdottir

oilExpressionismgenre paintingcityscapefiguresbuildingsharborboatssky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using bold brushstrokes to create texture and form. It also encourages experimentation with color mixing to achieve the desired mood and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the buildings, figures, and harbor.

  2. step 02

    Block in the large areas of color, starting with the sky and water, then moving to the buildings and ground.

  3. step 03

    Add the darker values to define the shadows and create depth.

  4. step 04

    Introduce the secondary colors to add interest and variation to the color palette.

  5. step 05

    Refine the shapes and details of the buildings, figures, and boats, using thicker paint and bolder brushstrokes.

  6. step 06

    Add highlights to create a sense of light and atmosphere.

  7. step 07

    Adjust the colors and values as needed to achieve the desired effect.

  8. step 08

    Allow to dry and add a varnish

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · cadmium red · sap green

Mix ultramarine blue with white for the sky and water, varying the proportions to create different shades. Use burnt umber and white for the buildings and ground, adding touches of yellow ochre and cadmium red for warmth. Mix sap green with yellow ochre for the green building.

techniques

  • ·blocking in
  • ·dry brush
  • ·scumbling
  • ·alla prima
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing sight of the overall composition.
  • →Not paying attention to the values and creating a flat, uninteresting painting.
  • →Using too many colors and creating a muddy, chaotic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·assorted flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use good quality oil paints for best results. A medium-tooth canvas will provide a good surface for the brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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