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home·artworks·Evening Star
Evening Star by Wilhelm Kotarbinski

plate no. 3748

Evening Star

Wilhelm Kotarbinski

oilSymbolismlandscapewaterlily padsflowersskystarvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle light reflections on water. It also provides practice in creating depth using muted colors and soft brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare your canvas with a neutral ground.

  2. step 02

    Lightly sketch the main shapes: horizon line, water lilies, and the general placement of the vegetation.

  3. step 03

    Block in the dark background sky and water with a mix of dark blues, greens, and browns.

  4. step 04

    Establish the highlights on the water lilies and the star using white mixed with a touch of yellow.

  5. step 05

    Add the mid-tones to the vegetation and lily pads, blending the edges to create a soft, atmospheric effect.

  6. step 06

    Refine the details of the flowers and leaves, paying attention to the way the light catches them.

  7. step 07

    Create the reflections in the water using slightly lighter and more blurred versions of the objects above.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ivory black · titanium white · sap green

secondary · yellow ochre · ultramarine blue · burnt umber

Achieve the dark, muted tones by mixing black with small amounts of blue, green, and brown. Use white sparingly to create highlights and reflections.

techniques

  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much white, which can make the painting look chalky.
  • →Failing to create enough contrast between the highlights and shadows.
  • →Not blending the edges of the objects properly, resulting in a flat, unrealistic look.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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