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Etude by James Tissot

plate no. 5521

Etude

James Tissot, 1890

oilSymbolismsketch and studyportraitfigurehead coveringbeardmanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric folds. It also provides practice in using a limited palette to create a range of values and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, head covering, and shoulders using light pencil lines.

  2. step 02

    Block in the background with a thin layer of blue paint.

  3. step 03

    Establish the main light and shadow areas on the face and head covering using a mid-tone mixture of browns and whites.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Add details to the beard, using short, broken brushstrokes to create texture.

  6. step 06

    Develop the folds and drapery of the head covering, using highlights and shadows to create a sense of volume.

  7. step 07

    Refine the details of the clothing, adding subtle color variations and textures.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · cadmium red

Mix white with small amounts of burnt umber and yellow ochre to create the highlights on the face and head covering. Use ultramarine blue straight from the tube for the background, and mix burnt umber with cadmium red for the darker areas of the clothing.

techniques

  • ·portraiture
  • ·value study
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the colors, resulting in a muddy appearance.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to create a sense of depth and volume in the head covering.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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