
plate no. 5521
James Tissot, 1890
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric folds. It also provides practice in using a limited palette to create a range of values and textures.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, head covering, and shoulders using light pencil lines.
Block in the background with a thin layer of blue paint.
Establish the main light and shadow areas on the face and head covering using a mid-tone mixture of browns and whites.
Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.
Add details to the beard, using short, broken brushstrokes to create texture.
Develop the folds and drapery of the head covering, using highlights and shadows to create a sense of volume.
Refine the details of the clothing, adding subtle color variations and textures.
Add final highlights and shadows to enhance the overall sense of depth and realism.
color palette
primary · titanium white · burnt umber · ultramarine blue
secondary · yellow ochre · cadmium red
Mix white with small amounts of burnt umber and yellow ochre to create the highlights on the face and head covering. Use ultramarine blue straight from the tube for the background, and mix burnt umber with cadmium red for the darker areas of the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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