apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Etermal Memory for the Painter
Etermal Memory for the Painter by Dmitri Zhilinsky

plate no. 9075

Etermal Memory for the Painter

Dmitri Zhilinsky

oilNeoclassicismgenre paintingfiguresinteriorpaintingsceremonycandlesarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and rendering complex scenes with many elements. It also encourages careful observation of subtle color variations and light effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the room.

  2. step 02

    Block in the main shapes of the figures and objects, paying attention to their relative sizes and positions.

  3. step 03

    Establish the basic color palette by applying thin washes of color to the different areas of the painting.

  4. step 04

    Develop the details of the figures, including their clothing, facial features, and gestures.

  5. step 05

    Add the paintings on the wall, focusing on their colors and shapes.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction and intensity of the light source.

  7. step 07

    Add the final details, such as the candles, flowers, and other small objects.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and balanced composition.

color palette

primary · beige · brown · black · white

secondary · yellow · red · blue

Achieve the muted tones by mixing complementary colors and adding white or black. Use thin washes of color to build up the layers and create depth.

techniques

  • ·figure drawing
  • ·perspective
  • ·layering
  • ·color mixing
  • ·rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective
  • →Muddy colors
  • →Overworking details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs