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Estela by José Santiago Garnelo y Alda

plate no. 3816

Estela

José Santiago Garnelo y Alda

oilNaturalismcityscapebuildingsstreetarchitecturealleywaysky
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow in urban environments, as well as practice loose, expressive brushwork to create texture and depth. It also encourages observation of subtle color variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and alleyway.

  2. step 02

    Block in the main areas of light and shadow with thin washes of color.

  3. step 03

    Start building up layers of paint, focusing on the darker values first.

  4. step 04

    Use thicker paint and visible brushstrokes to add texture and detail to the buildings.

  5. step 05

    Mix and apply the sky color, blending it softly around the edges of the buildings.

  6. step 06

    Add highlights to the areas where light is strongest, such as the walls and rooftops.

  7. step 07

    Refine the details of the windows, doors, and other architectural elements.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · sap green

Use raw umber and white for the buildings, adding touches of yellow ochre and burnt sienna for warmth. Mix ultramarine blue with white for the sky, and add a touch of raw umber to tone it down. Create greens by mixing blue and yellow.

techniques

  • ·dry brush
  • ·scumbling
  • ·layering
  • ·value studies
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to create a strong sense of depth and perspective.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a canvas with a medium texture to allow for expressive brushwork. Consider toning the canvas with a thin wash of raw umber before starting to paint.

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