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home·artworks·El Pedagogo (Aspasia y Pericles)
El Pedagogo (Aspasia y Pericles) by José Santiago Garnelo y Alda

plate no. 2406

El Pedagogo (Aspasia y Pericles)

José Santiago Garnelo y Alda, 1893

oilNaturalismhistory paintingfiguresinteriorcolumnsstatuesdraperyarchitecture
experienced study

Recreating this painting will develop skills in rendering realistic figures, drapery, and architectural details, as well as understanding light and shadow to create depth and form. Students will also learn to manage a complex composition with multiple elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the dark areas and the subtle variations in tone.

  4. step 04

    Begin to build up the forms of the figures, paying attention to the drapery and the way it folds and drapes.

  5. step 05

    Refine the details of the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Add the architectural details, such as the columns, statues, and floor tiles.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Mix various shades of yellow ochre and burnt umber with white to create the skin tones and drapery. Use small amounts of cadmium red and ultramarine blue to create shadows and add depth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the way light and shadow affect the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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