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Dusk by Eugène Jansson

plate no. 6517

Dusk

Eugène Jansson, 1895

oilSymbolismcityscapecityscapebuildingsnightskyarchitecturewindows
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding how to represent light in a nocturnal scene. It also provides practice in creating texture with visible brushstrokes or pastel marks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the sky with a base layer of light blue, gradually darkening towards the horizon.

  3. step 03

    Establish the darker values of the buildings using a mix of blues and blacks.

  4. step 04

    Layer lighter blues and grays to create the illuminated surfaces of the buildings.

  5. step 05

    Add the warm yellow glow of the windows, blending carefully to create a soft light.

  6. step 06

    Refine the details of the buildings, such as the window shapes and rooflines.

  7. step 07

    Add texture to the sky and buildings using short, broken strokes.

  8. step 08

    Check the overall balance of light and dark and make any necessary adjustments.

color palette

primary · Prussian blue · Ultramarine blue · Titanium White

secondary · Yellow Ochre · Burnt Umber · Payne's Grey

Mix blues with white to create lighter shades for the sky and illuminated surfaces. Use burnt umber and Payne's grey to darken the blues for the shadows. Add yellow ochre to white for the window light.

techniques

  • ·Layering
  • ·Scumbling
  • ·Color blending
  • ·Value control
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the colors and losing the subtle variations.
  • →Making the window light too harsh or artificial.
  • →Not establishing a clear value structure.
  • →Ignoring the texture and creating a flat, lifeless surface.

materials

surface · Pastel paper or primed canvas

required

  • ·Stretched canvas or pastel paper (12x16 inches)
  • ·Soft pastels or oil pastels
  • ·Variety of blue pastels (light to dark)
  • ·White pastel
  • ·Yellow ochre pastel
  • ·Burnt umber pastel
  • ·Blending stumps or tortillions
  • ·Kneaded eraser

optional

  • ·Workable fixative
  • ·Palette knife
  • ·Easel

Using a textured surface will enhance the effect of the pastel strokes. Consider using tinted paper for a head start on the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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