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home·artworks·Douglas Hamilton, 8th Duke of Hamilton and 5th Duke of Brandon, with Dr John Moore and Sir John Moore as a Young Boy
Douglas Hamilton, 8th Duke of Hamilton and 5th Duke of Brandon, with Dr John Moore and Sir John Moore as a Young Boy by Gavin Hamilton

plate no. 0665

Douglas Hamilton, 8th Duke of Hamilton and 5th Duke of Brandon, with Dr John Moore and Sir John Moore as a Young Boy

Gavin Hamilton, 1777

oilNeoclassicismportraitfigureslandscapearchitecturedogportraitclothing
experienced study

Recreating this painting would help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and colors of the background landscape and architectural elements.

  3. step 03

    Begin painting the figures, starting with the underpainting to establish values and skin tones.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and highlights.

  5. step 05

    Refine the facial features and expressions of each figure.

  6. step 06

    Add details to the dog, focusing on its fur texture and anatomy.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · cadmium red · titanium white

secondary · ultramarine blue · ivory black · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, cadmium red, and titanium white. Use ultramarine blue and ivory black to create shadows and depth. Mix raw sienna and burnt umber for earth tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overblending skin tones
  • →Failing to capture likeness
  • →Inaccurate depiction of drapery folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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