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home·artworks·Doña Lola
Doña Lola by José Santiago Garnelo y Alda

plate no. 3747

Doña Lola

José Santiago Garnelo y Alda, 1912

oilNaturalismportraitportraitwomanlaceflowersveiljewelry
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering delicate textures like lace. It also provides practice in creating subtle color variations and soft lighting effects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure.

  2. step 02

    Establish the background with broad strokes of dark, muted colors.

  3. step 03

    Block in the main areas of the figure, paying attention to the overall value structure.

  4. step 04

    Begin to refine the facial features, focusing on accurate proportions and subtle shading.

  5. step 05

    Start building up the layers of lace, using small, delicate brushstrokes to create the intricate patterns.

  6. step 06

    Add the flowers, paying attention to their color and form.

  7. step 07

    Refine the details of the jewelry and other accessories.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · alizarin crimson · cadmium red light · yellow ochre · sap green

Achieve the subtle skin tones by mixing white, raw umber, and a touch of red. Create the lace effect by layering thin washes of white and raw umber over a darker base.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the lace details, resulting in a flat and lifeless appearance.
  • →Failing to capture the subtle nuances of the skin tones.
  • →Ignoring the importance of value contrast in creating depth and dimension.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.

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