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home·artworks·Distant View of Mount Fujiyama, Japan, and Wistaria
Distant View of Mount Fujiyama, Japan, and Wistaria by Marianne North

plate no. 9967

Distant View of Mount Fujiyama, Japan, and Wistaria

Marianne North, 1876

oilNaturalismlandscapewisteriamountainwaterboatsskylandscape
some experience helpful

This painting offers practice in creating atmospheric perspective and rendering delicate floral details. Students will learn to mix subtle color variations and create a sense of depth through tonal changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountain, and the placement of the wisteria branches.

  2. step 02

    Establish the background sky and water with thin washes of color, focusing on the subtle gradations of light.

  3. step 03

    Block in the basic shapes of the mountain, paying attention to its form and the surrounding clouds.

  4. step 04

    Begin adding details to the wisteria branches, focusing on the overall shape and arrangement of the flowers.

  5. step 05

    Mix a range of light and dark purples and greens to create depth and dimension in the wisteria blossoms and leaves.

  6. step 06

    Add details to the boats and the distant shoreline, keeping them simple and understated.

  7. step 07

    Refine the details of the mountain and clouds, adding subtle shadows and highlights.

  8. step 08

    Add final touches to the wisteria, such as delicate tendrils and individual flower petals.

color palette

primary · titanium white · cerulean blue · alizarin crimson

secondary · yellow ochre · sap green · ultramarine blue

Mix various shades of purple by combining alizarin crimson and ultramarine blue with varying amounts of white. Achieve the greens by mixing cerulean blue and yellow ochre. Use white to create a hazy, atmospheric effect.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can detract from the overall harmony of the painting.
  • →Failing to create a sense of depth in the wisteria blossoms, making them appear flat and lifeless.
  • →Neglecting the subtle tonal variations in the sky and water, resulting in a monotonous background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a smooth canvas to allow for blending and glazing. Consider using a medium to thin the paint for easier application.

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