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home·artworks·Deuxième vue du port de Bordeaux
Deuxième vue du port de Bordeaux by Claude-Joseph Vernet

plate no. 2135

Deuxième vue du port de Bordeaux

Claude-Joseph Vernet

oilNeoclassicismlandscapecityscapeharborshipscloudsfiguresarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many details. It's a good exercise for practicing color mixing to achieve subtle gradations in the sky and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, water, and land.

  2. step 02

    Block in the main areas of color: light blue for the sky, darker blue/gray for the water, and earth tones for the land.

  3. step 03

    Start building up the clouds, focusing on soft edges and subtle value changes.

  4. step 04

    Add the distant buildings and ships, paying attention to their reduced size and detail due to atmospheric perspective.

  5. step 05

    Paint the figures and architectural details in the foreground, adding more detail and contrast.

  6. step 06

    Refine the water reflections, using slightly darker and desaturated versions of the colors above.

  7. step 07

    Add final details such as rigging on the ships and highlights on the buildings.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values as needed.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · raw sienna · cadmium yellow light

Mix blues and white for the sky, adding small amounts of yellow ochre for warmer tones. Use burnt umber and yellow ochre for earth tones, adjusting with white and blue to create variations in value and temperature.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·rendering details

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Creating harsh edges on the clouds.
  • →Making the water too uniform in color and value.
  • →Not paying attention to the relative scale of objects in the distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use a medium-tooth canvas for better texture. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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