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home·artworks·Destroyed house in Kehl
Destroyed house in Kehl by Arnold Böcklin

plate no. 0132

Destroyed house in Kehl

Arnold Böcklin, 1870

oilSymbolismlandscapehouselandscapetreesskyruinsarchitecture
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and creating atmospheric perspective with muted colors. It's also a good exercise in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, landscape, and sky, focusing on proportions.

  2. step 02

    Block in the dark areas of the sky and foreground with thin washes of dark brown and green.

  3. step 03

    Establish the basic color of the house with a mix of white, yellow ochre, and a touch of burnt sienna.

  4. step 04

    Add darker tones to the house to create shadows and define the architectural forms.

  5. step 05

    Paint the trees and foliage with loose, expressive brushstrokes, using a mix of greens, browns, and reds.

  6. step 06

    Refine the details of the house, paying attention to the windows and architectural details.

  7. step 07

    Add highlights to the house and foliage to create a sense of light and depth.

  8. step 08

    Adjust the overall color balance and value contrast to achieve the desired mood.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · sap green · cadmium red

Mix white with yellow ochre and a touch of burnt sienna for the house. Use burnt umber and sap green for the dark areas. Add cadmium red to burnt umber for the reddish tones in the foreground.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details of the house
  • →Using too much bright color
  • →Failing to establish a strong value structure
  • →Losing the looseness of the brushwork

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·cadmium red oil paint
  • ·#6 round brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother application.

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