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home·artworks·Departure of Louis XVIII from the Palace of the Tuileries on the Night of 20 March 1815
Departure of Louis XVIII from the Palace of the Tuileries on the Night of 20 March 1815 by Antoine-Jean Gros

plate no. 6658

Departure of Louis XVIII from the Palace of the Tuileries on the Night of 20 March 1815

Antoine-Jean Gros, 1817

oilNeoclassicismhistory paintingfigureshistorical eventpalaceinteriorcrowddeparture
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and understanding how to create a sense of drama through chiaroscuro. It also provides practice in rendering textures and details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Develop the background and architectural elements, focusing on accurate perspective.

  4. step 04

    Start defining the figures, paying attention to their gestures and expressions.

  5. step 05

    Gradually build up layers of color and detail, working from dark to light.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Add final details, such as facial features and clothing details.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the overall color harmony.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of gray and brown by combining black, umber, and white. Use small amounts of red and blue to create subtle variations in skin tones and clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating muddy colors by overmixing.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a high-quality canvas primed with several layers of gesso. Consider using a toned ground to help establish the overall color harmony.

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