plate no. 9925
Das Franziskuskloster in Den Sabiner Bergen
Joseph Anton Koch, 1839
some experience helpful
Recreating this painting will help students develop skills in atmospheric perspective and rendering complex landscape elements with subtle color variations. It also provides practice in depicting figures within a landscape setting.
technical profile
palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3
study guide
est. 12 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the placement of the monastery, mountains, and figures.
- step 02
Establish the sky and distant mountains with light, muted colors, using thin washes.
- step 03
Block in the larger areas of the landscape, such as the fields, trees, and river, using a limited palette.
- step 04
Develop the details of the monastery, paying attention to the light and shadow.
- step 05
Add the figures in the foreground, focusing on their proportions and gestures.
- step 06
Refine the details of the trees and foliage, using a variety of brushstrokes.
- step 07
Glaze over the painting to unify the colors and create a sense of atmosphere.
- step 08
Add final highlights and details to complete the painting.
color palette
primary · raw umber · yellow ochre · titanium white · Prussian blue
secondary · burnt sienna · cadmium yellow light · alizarin crimson
Achieve the muted greens by mixing yellow ochre, Prussian blue, and a touch of raw umber. Create atmospheric perspective by adding white to the blues and browns for distant elements.
techniques
- ·atmospheric perspective
- ·glazing
- ·dry brushing
- ·color mixing
- ·layering
common pitfalls
- →Overworking the details too early in the process.
- →Failing to establish a clear sense of depth and atmosphere.
- →Using colors that are too bright or saturated.
- →Ignoring the importance of light and shadow in creating form.
materials
surface · stretched canvas
required
- ·stretched canvas 18x24
- ·raw umber oil paint
- ·yellow ochre oil paint
- ·titanium white oil paint
- ·Prussian blue oil paint
- ·#4 round brush
- ·#6 flat brush
- ·linseed oil
optional
- ·palette knife
- ·medium gloss
- ·easel
Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein
related artworks
Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet
The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi
Portrait of Louis d'Orleans
Franz Xaver Winterhalter
Rooftops in the shadows
Pierre-Henri de Valenciennes
The Schmadribach Falls
Joseph Anton Koch
A Scene from 'As You Like It' by William Shakespeare
William Hamilton
Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini
Self-Portrait
Anton Raphael Mengs