apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Dannebrog Falling from the Sky During the Battle of Lyndanisse, June 15, 1219
Dannebrog Falling from the Sky During the Battle of Lyndanisse, June 15, 1219 by Christian August Lorentzen

plate no. 3177

Dannebrog Falling from the Sky During the Battle of Lyndanisse, June 15, 1219

Christian August Lorentzen, 1809

oilNeoclassicismhistory paintingbattlefiguresskyflagarmorlandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, atmospheric perspective, and rendering textures like metal and fabric. It also encourages the study of historical painting techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the horizon line.

  2. step 02

    Establish the background with a thin wash of sky and distant landscape.

  3. step 03

    Block in the main figures with simplified shapes and values.

  4. step 04

    Develop the details of the figures, including armor, clothing, and facial features.

  5. step 05

    Refine the lighting and shadows to create depth and volume.

  6. step 06

    Add details to the background battle scene, using atmospheric perspective to suggest distance.

  7. step 07

    Paint the flag and other symbolic elements.

  8. step 08

    Add final highlights and details to enhance realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the atmospheric perspective by mixing blues and grays with white to create lighter, cooler tones for distant elements. Mix browns and blacks with blues and reds to create the various shades of armor and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering metal

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Inconsistent lighting.
  • →Incorrect proportions in figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs