
plate no. 0105
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice painting complex drapery and textures using layering and glazing techniques.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and the parrot.
Block in the main shapes and values using thin washes of color.
Establish the dark background to create contrast.
Begin layering colors on the figures, starting with the skin tones and then moving to the drapery.
Pay close attention to the light and shadow on the faces and bodies to create form.
Add details to the fruit, jewelry, and parrot, using smaller brushes.
Refine the edges and blend colors as needed to create a smooth transition.
Add final highlights and shadows to create depth and dimension.
color palette
primary · burnt umber · yellow ochre · titanium white · cadmium red
secondary · ultramarine blue · viridian green · ivory black
Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber for shadows. Use ultramarine blue and viridian green to create the parrot's feathers.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Nesebar
Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats
Giovanni (Nino) Costa

Koriten Fortress
Felix Philipp Kanitz

A London Jo - the End of the Day
Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland
Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon
Marianne North

Paisaje Con Río
José Santiago Garnelo y Alda

An Oysterman
William Henry Hunt