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home·artworks·Dama Con Papagayo
Dama Con Papagayo by José Santiago Garnelo y Alda

plate no. 0105

Dama Con Papagayo

José Santiago Garnelo y Alda, 1930

oilNaturalismportraitfigureparrotfruitdraperyportraitjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice painting complex drapery and textures using layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the parrot.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the dark background to create contrast.

  4. step 04

    Begin layering colors on the figures, starting with the skin tones and then moving to the drapery.

  5. step 05

    Pay close attention to the light and shadow on the faces and bodies to create form.

  6. step 06

    Add details to the fruit, jewelry, and parrot, using smaller brushes.

  7. step 07

    Refine the edges and blend colors as needed to create a smooth transition.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber for shadows. Use ultramarine blue and viridian green to create the parrot's feathers.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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