apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Country Wedding
Country Wedding by John Lewis Krimmel

plate no. 5582

Country Wedding

John Lewis Krimmel, 1820

oilNeoclassicismgenre paintingfiguresinteriorweddingfamilydogfurniture
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth through atmospheric perspective and value changes. It also provides practice in rendering different textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors of the background, focusing on establishing the overall tone and atmosphere.

  3. step 03

    Start painting the figures, beginning with the largest and most prominent ones. Pay attention to proportions and anatomical accuracy.

  4. step 04

    Gradually add details to the figures, such as facial features, clothing folds, and accessories.

  5. step 05

    Work on the smaller details and objects in the background, adding texture and interest to the scene.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and dimension.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance and harmony.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · viridian green · ultramarine blue

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Use small amounts of cadmium red for warmth. Mix greens by combining yellow ochre and viridian green. Create darker values by adding ivory black to primary colors.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering fabrics

common pitfalls

  • →Getting overwhelmed by the complexity of the composition.
  • →Incorrect proportions of figures.
  • →Overworking details too early in the process.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs