apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Count F. A. Tolstoy
Count F. A. Tolstoy by George Dawe

plate no. 8372

Count F. A. Tolstoy

George Dawe, 1827

oilNeoclassicismportraitportraitfigureclothingtablelampbook
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key objects.

  2. step 02

    Establish the background with a thin wash of warm brown tones.

  3. step 03

    Block in the main shapes of the figure, including the head, clothing, and fur collar.

  4. step 04

    Begin to refine the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the clothing and fur, using layering and blending techniques.

  6. step 06

    Paint the lamp and other objects on the table, focusing on their form and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use small amounts of cadmium red light and yellow ochre to warm up the skin tones.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·rendering fur

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending the skin tones
  • →Failing to capture the likeness of the subject
  • →Ignoring the subtle variations in color and value

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs