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home·artworks·Coronation of the Virgin
Coronation of the Virgin by Domingos Sequeira

plate no. 6136

Coronation of the Virgin

Domingos Sequeira, 1830

oilNeoclassicismreligious paintingfigurescloudsrainbowreligious sceneskylight
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in subtle color mixing and creating a sense of ethereal light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the rainbow, the central figures, and the overall arrangement of the crowd.

  2. step 02

    Establish the background atmosphere with thin washes of warm browns and yellows, gradually building up the cloud formations.

  3. step 03

    Block in the main figures with simplified shapes and values, paying attention to their relative sizes and positions.

  4. step 04

    Begin refining the details of the central figures, adding highlights and shadows to create form.

  5. step 05

    Gradually add details to the surrounding figures, using looser brushstrokes and less defined edges to suggest depth.

  6. step 06

    Paint the rainbow using blended layers of color, ensuring smooth transitions between the bands.

  7. step 07

    Add final highlights and shadows to enhance the sense of light and atmosphere.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of depth.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the ethereal glow by mixing white with small amounts of browns and yellows. Use glazes of diluted colors to create subtle shifts in tone and atmosphere.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·blending

common pitfalls

  • →overworking the details
  • →losing the sense of atmosphere
  • →making the figures too uniform
  • →incorrect proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas to allow for layering and blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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