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home·artworks·Contemplation of a drawing
Contemplation of a drawing by Abraham van Strij

plate no. 6236

Contemplation of a drawing

Abraham van Strij

oilNeoclassicismgenre paintinginteriorfiguresbookswindowdoorwaydog
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, capturing interior lighting, and creating depth through atmospheric perspective. It also provides practice in depicting various textures and materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main color areas, focusing on the overall value structure.

  3. step 03

    Develop the background elements, paying attention to the light and shadow patterns.

  4. step 04

    Refine the details of the figures, including facial features and clothing folds.

  5. step 05

    Add details to the books, maps, and other objects, focusing on texture and form.

  6. step 06

    Work on the reflections in the mirror, capturing the subtle variations in color and light.

  7. step 07

    Add the final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze to unify the painting and adjust color temperatures.

color palette

primary · red ochre · yellow ochre · ivory black · titanium white

secondary · viridian green · ultramarine blue · burnt umber

Achieve the skin tones by mixing red ochre, yellow ochre, and white, with small amounts of burnt umber for shadows. Use viridian green and ultramarine blue to create the greens in the background and the chair.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurately rendering the proportions of the figures.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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