apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Columns in Vvedenskoye
Columns in Vvedenskoye by Maria Yakunchikova

plate no. 4774

Columns in Vvedenskoye

Maria Yakunchikova, 1894

oilNaturalismlandscapecolumnsarchitecturelandscapeskytreeshorizon
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering architectural forms with subtle variations in light and shadow. It also provides practice in creating depth through layering and color temperature changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the columns and the horizon line.

  2. step 02

    Block in the sky with broad strokes, capturing the subtle color variations.

  3. step 03

    Establish the basic values of the landscape, differentiating between the foreground, middle ground, and background.

  4. step 04

    Begin to define the shapes of the trees and foliage, using darker values in the shadows.

  5. step 05

    Start adding details to the columns, paying attention to the light and shadow patterns.

  6. step 06

    Refine the details of the landscape, adding highlights and subtle color variations.

  7. step 07

    Add final touches and highlights to the columns and foliage.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · yellow ochre · burnt sienna · cadmium red light

Achieve the subtle grays and blues of the sky by mixing titanium white with small amounts of ultramarine blue and raw umber. Use yellow ochre and burnt sienna to create warm highlights on the columns and foliage.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·rendering form

common pitfalls

  • →Overworking the details of the columns too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the subtle variations in light and shadow on the columns.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#6 flat brush
  • ·#10 flat brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·palette knife

optional

  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

Sunrise

Sunrise

Maria Yakunchikova

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda