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home·artworks·Cobbler and his family
Cobbler and his family by Abraham van Strij

plate no. 1865

Cobbler and his family

Abraham van Strij

oilNeoclassicismgenre paintinginteriorfamilyfigureswindowfurnituredomestic scene
experienced study

Recreating this painting will help students develop skills in depicting light and shadow within an interior space and capturing the texture of various materials with loose brushwork. It also provides practice in rendering figures in a believable setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the figures, furniture, window, and architectural details.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with diluted washes of brown and gray.

  3. step 03

    Begin to define the figures and objects, paying attention to their forms and proportions.

  4. step 04

    Develop the light source coming from the window, adding highlights and shadows to create depth.

  5. step 05

    Layer in details, such as the textures of the clothing, furniture, and walls, using dry brush techniques.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Add final touches and highlights to enhance the overall sense of realism and atmosphere.

  8. step 08

    Glaze with thin washes to unify the color palette and create a sense of depth.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white · red oxide

Achieve the warm, muted tones by mixing raw umber and burnt sienna with small amounts of yellow ochre and white. Use ivory black sparingly to create shadows and darker values.

techniques

  • ·dry brush texture
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the light source and its effect on the scene
  • →Using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a canvas with a fine weave to allow for detailed brushwork. Consider toning the canvas with a thin wash of raw umber before starting to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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