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home·artworks·Cicero Discovering the Tomb of Archimedes
Cicero Discovering the Tomb of Archimedes by Pierre-Henri de Valenciennes

plate no. 8712

Cicero Discovering the Tomb of Archimedes

Pierre-Henri de Valenciennes, 1787

oilNeoclassicismlandscapelandscapefiguresarchitecturemountainsskytrees
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle tonal variations, and rendering complex landscape elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective.

  2. step 02

    Block in the main areas of color, starting with the sky and distant mountains.

  3. step 03

    Establish the basic values for the foreground elements, like the rocks and trees.

  4. step 04

    Begin layering details in the middle ground, focusing on the architecture and foliage.

  5. step 05

    Refine the figures in the foreground, paying attention to their form and lighting.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium red light · viridian

Achieve atmospheric perspective by mixing blues and whites with small amounts of other colors to create muted, hazy tones. Mix greens by combining blues and yellows, and adjust the hue with touches of red or brown.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·color layering
  • ·rendering figures

common pitfalls

  • →Failing to establish a strong sense of depth.
  • →Overworking the details and losing the overall harmony.
  • →Using colors that are too saturated, resulting in a flat appearance.
  • →Inaccurate perspective in the architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium can be used to thin the paint and speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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