apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Christoph Willibald Gluck
Christoph Willibald Gluck by Joseph Duplessis

plate no. 9630

Christoph Willibald Gluck

Joseph Duplessis, 1775

oil, canvasNeoclassicismportraitportraitfigureclothingmusical instrumenthairchair
experienced study

Recreating this painting would help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as techniques for depicting fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with dark, muted tones, creating depth.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, and clothing.

  4. step 04

    Begin layering skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture.

  6. step 06

    Render the fabric of the clothing, capturing the folds and highlights.

  7. step 07

    Add details to the musical instrument and other elements in the composition.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · alizarin crimson

Mix various shades of brown and gray for the background and clothing. Use red and white to create the skin tones, adding small amounts of yellow ochre and raw umber for warmth and depth. Mix viridian with raw umber to achieve the green of the musical instrument.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the texture and folds of the fabric.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs