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home·artworks·Christ Crowned with Thorns
Christ Crowned with Thorns by Matthias Stom

plate no. 9136

Christ Crowned with Thorns

Matthias Stom, 1639

oil, canvasTenebrismreligious paintingfigurescandlelightreligious scenecrown of thornsrobestorch
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering realistic skin tones under dramatic lighting. It also provides practice in depicting complex figure arrangements and conveying emotion through facial expressions and gestures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark underpainting.

  2. step 02

    Sketch the basic composition, focusing on the placement of figures and the light source.

  3. step 03

    Block in the main areas of color, paying attention to the shadows and highlights.

  4. step 04

    Begin layering the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Refine the details of the faces, clothing, and other elements, using small brushes.

  6. step 06

    Pay close attention to the way the candlelight illuminates the scene, creating dramatic contrasts.

  7. step 07

    Add final glazes to enhance the colors and create depth.

  8. step 08

    Varnish the painting to protect it and bring out the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use cadmium red for the robes, muted with burnt umber for shadows. Create the dark background by mixing ivory black and burnt umber.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Inaccurate rendering of skin tones and facial expressions.
  • →Ignoring the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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