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home·artworks·Chez Moi
Chez Moi by Harriet Backer

plate no. 3630

Chez Moi

Harriet Backer, 1887

oil, canvasNaturalisminteriorinteriorfigurepianowindowplantchair
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow in an interior space and capturing the subtle color variations in a muted palette. It also offers practice in depicting figures in a realistic and naturalistic style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the figure, piano, and other key elements.

  2. step 02

    Block in the main shapes and values using thin washes of color, paying attention to the overall light and shadow patterns.

  3. step 03

    Develop the background elements, such as the walls, window, and plants, gradually adding detail and texture.

  4. step 04

    Focus on the figure, building up the form with layers of color and paying attention to the folds and drapery of the clothing.

  5. step 05

    Refine the details of the piano and other objects in the room, adding highlights and shadows to create depth.

  6. step 06

    Pay close attention to the light streaming in from the window, and how it affects the colors and values in the room.

  7. step 07

    Add final touches and adjustments to unify the painting and enhance the overall mood.

  8. step 08

    Varnish the painting once it is completely dry to protect the surface and enhance the colors.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · viridian

Achieve the muted tones by mixing complementary colors and adding white to soften the intensity. Use thin glazes of color to build up depth and create subtle variations.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow on the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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