apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cheval Mamelouk
Cheval Mamelouk by Carle Vernet

plate no. 7328

Cheval Mamelouk

Carle Vernet

oilNeoclassicismanimal paintinghorsesaddledesertpyramidskylandscape
experienced study

Students would develop skills in animal anatomy, particularly horse proportions and movement, while practicing detailed rendering of ornate decorative elements and metallic surfaces.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with basic horse silhouette and gesture, establishing the galloping pose

  2. step 02

    Block in major color masses - dark horse body, red saddle, warm desert ground

  3. step 03

    Establish the horizon line and place pyramid in distance with atmospheric perspective

  4. step 04

    Paint the sky with soft cloud formations using warm grays and peachy tones

  5. step 05

    Develop the horse's form with careful attention to muscle definition and coat texture

  6. step 06

    Add ornate saddle details, bridle, and golden decorative elements

  7. step 07

    Refine facial features, mane, and tail with flowing brushstrokes

  8. step 08

    Complete with final details on hooves, ground texture, and background elements

color palette

primary · burnt umber · ivory black · cadmium red · raw umber

secondary · yellow ochre · titanium white · cadmium yellow light · ultramarine blue

Mix warm grays for sky using white with touches of burnt umber and red; create rich blacks by mixing burnt umber with ultramarine blue rather than using pure black

techniques

  • ·smooth blending for sky gradations
  • ·precise detail work for ornamental elements
  • ·anatomical accuracy for horse structure
  • ·atmospheric perspective for background
  • ·metallic surface rendering

common pitfalls

  • →rushing the horse anatomy without proper proportional studies
  • →making the ornate details too busy or overwhelming
  • →losing the sense of movement and energy in the pose
  • →neglecting atmospheric perspective in the background

materials

surface · stretched canvas primed with gesso

required

  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 flat brush
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·canvas 16x20 inches

optional

  • ·#000 liner brush for fine details
  • ·palette knife for mixing
  • ·painting medium
  • ·fixative spray

Use high-quality brushes for the detailed ornamental work, and consider having reference photos of horse anatomy and Middle Eastern decorative art

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs