
plate no. 3226
Ary Scheffer, 1828
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering delicate fabrics and textures.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure, paying attention to the overall composition.
Block in the main areas of color: skin, hair, dress, background.
Begin refining the skin tones with subtle layers of color, focusing on highlights and shadows.
Develop the details of the dress, capturing the folds and textures of the fabric.
Add details to the hair, jewelry, and background elements.
Refine the facial features, paying close attention to the eyes and mouth.
Adjust the overall values and colors to create a harmonious and balanced composition.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · ivory black · burnt umber · cadmium red light
secondary · yellow ochre · viridian · gold
Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Use black and white to create the grey background. Mix white with a tiny amount of blue or purple for the dress highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs