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home·artworks·Charles Pelham
Charles Pelham by John Singleton Copley

plate no. 6054

Charles Pelham

John Singleton Copley, 1754

oil, canvasNeoclassicismportraitportraitfiguretableclothingcurtainwriting implements
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, and also in depicting textures of fabric and other materials.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with broad washes of color, paying attention to the subtle gradations.

  3. step 03

    Block in the main shapes of the figure, including the face, clothing, and hands.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle shading.

  5. step 05

    Develop the details of the clothing, including the folds, buttons, and lace.

  6. step 06

    Add details to the hands and writing implements, paying attention to the light and shadow.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of blue or umber for shadows. Achieve the fabric colors by mixing earth tones with white and small amounts of red or blue.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Lack of attention to detail in the clothing
  • →Ignoring subtle value changes
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, burnt sienna, ultramarine blue)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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