apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Charles Jerome, Comte Pozzo di Borgo
Charles Jerome, Comte Pozzo di Borgo by Franz Xaver Winterhalter

plate no. 9720

Charles Jerome, Comte Pozzo di Borgo

Franz Xaver Winterhalter, 1849

oil, canvasNeoclassicismportraitportraitfigurefurred drapeclothingchair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric and fur textures with paint.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Start refining the facial features, paying close attention to light and shadow.

  4. step 04

    Develop the details of the clothing, including the fur collar and jacket.

  5. step 05

    Work on the red drape in the background, creating soft folds and highlights.

  6. step 06

    Add details to the hands and any other accessories.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · cadmium red

secondary · titanium white · yellow ochre · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white with small amounts of cadmium red and yellow ochre. Create the red drape by mixing cadmium red with burnt umber for shadows and titanium white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fur texture

common pitfalls

  • →Getting the proportions of the figure wrong
  • →Overworking the details too early
  • →Failing to capture the likeness of the subject
  • →Creating muddy colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil
  • ·turpentine
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

Study of a Girl in Profile

Study of a Girl in Profile

Franz Xaver Winterhalter

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini