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home·artworks·Charles IV, Prince of Asturias
Charles IV, Prince of Asturias by Anton Raphael Mengs

plate no. 0542

Charles IV, Prince of Asturias

Anton Raphael Mengs, 1765

oilNeoclassicismportraitportraitfigurelandscapedogtreessky
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as techniques for creating depth and atmosphere in a landscape background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's clothing and skin.

  3. step 03

    Develop the values and tones in the face, paying attention to the highlights and shadows to create a sense of form.

  4. step 04

    Refine the details of the clothing, including the buttons, lace, and embroidery.

  5. step 05

    Add details to the background landscape, including the trees, sky, and distant figures.

  6. step 06

    Paint the dog, focusing on its fur texture and facial expression.

  7. step 07

    Add the final details, such as the rifle and the reflections in the water.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue · cadmium yellow · viridian

Mix various shades of gray for the coat by combining ivory black and titanium white. Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber for shadows. Create greens for the landscape by mixing ultramarine blue, cadmium yellow, and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Making the skin tones look flat or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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