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home·artworks·Catherine the Great
Catherine the Great by Mikhail Shibanov

plate no. 4800

Catherine the Great

Mikhail Shibanov

oilNeoclassicismportraitportraitfigureclothingfurjewelryhat
some experience helpful

Recreating this portrait will help students develop skills in rendering realistic skin tones and textures, as well as understanding light and shadow to create depth and form. It also provides practice in capturing likeness and detail in portraiture.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch outlining the basic shapes and proportions of the figure, hat, and clothing.

  2. step 02

    Establish the darkest areas of the portrait, such as the fur hat and shadows on the face, using a dark gray or black.

  3. step 03

    Begin layering lighter tones to define the mid-tones and highlights on the face, hair, and clothing.

  4. step 04

    Pay close attention to the subtle gradations of tone to create a sense of volume and form.

  5. step 05

    Add details to the jewelry, fur texture, and facial features, using fine brushes or pencils.

  6. step 06

    Refine the overall composition by adjusting values and adding contrast where needed.

  7. step 07

    Soften edges and blend tones to create a smooth, realistic effect.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining black and white in different ratios. Add small amounts of raw umber or yellow ochre to warm up the skin tones.

techniques

  • ·value studies
  • ·blending
  • ·hatching
  • ·cross-hatching
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Creating harsh lines instead of smooth transitions.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·charcoal pencils

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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